Pirapparukkump injakan than pey kazhalgal velga, Long live the feet of the God who was one but appeared as many. Long live the feet of him who became holy books and comes near us, Long live the feet of my Guru who ruled over Thiruvavaduthurai(Thiruperum thurai ?)*, Long live the feet of him who does not move away from my mind even for a second. Long live Namasivaya, Long live the holy feet of our Lord, Kokazhi aanda guru mani than thaal vaazhga, Imai podum yennenjil neengaadhan thal vazhga. Namasivaya vaazhga, Nadan thal vazzhga , and the audio is Audio by Sulamangalam sisters is available in ) There is also a great commentary in Tamil Which includes the Tamil text of this work in This Shiva puranam attempts to portray the jeeva towards Shiva and is aptly called 'Shiva Puranam', The famous English translation of Shiva Puranam by Mr.G.U.Pope (fondly called Popeiyer) is available in G.U.Pope's translation. According to the philosophy of Saivism, the jeeva is prevented from the realization of God by three impurities (Anava(pride), Karma, and Maya) and only approach to Shiva can remove these impurities. In tamil Jeeva (the individual soul is called ' Cheevaa'. Unlike suggested by the name it is not the epic dealing with the stories of Shiva. It was composed in a Shiva temple called Thiruperum thurai The first prayer in THiruvasagam is the Shiva Puranam. Due to the sweetness and greatness of this work, there is a proverb in Tamil which says, 'Thiruvasagathukku urugaar, yebbasagathukkum Urugaar'( One who does not melt for Thiruvasagam will not melt for any literary work). His collection of works is called Thiruvachakam. (Manikka Vasagar was one of the four great Nayanmars (saivite saints ) of Tamil Nadu, who was a great poet as well as great contributor to the SAivite philosophy.
#SIVAPURANAM TAMIL PDF#
For, this is one of the films which is more about the journey than the destination. Sivapuranam could be your cup of tea if you are a person who has a liking towards experimental indie films. The absence of plot progression is the major issue here. Unlike much-celebrated indie films, Sivapuranam does not make use of a proper storyline and is more focused on taking the viewers on a walk through the lead character’s life. The film’s cinematography by Saumyananda Sahi complements the mood in full, while the editing by Arghya Basu properly understands the reasoning behind the prolonged shots and the slow pacing. Sivapuranam gets hold of its sound which is set up organically by Ananda Gupta. For regular film buffs, Sivapuranam might seem like a pointless assortment of shots put together, but there could be more to it than what meets the eye if you are willing to lend it your patience. However, topics such as voyeurism, obsession and loneliness do come into play here. It’s tough to get behind the idealogy of the film, as there seems to be nothing more than displaying the world that Shiva lives in. Karthick pays high attention to detail and narrates the activities of the protagonist in a laid-back fashion, showing us each and every activity that’s a part of his day.
The pacing is extremely slow, but it does not seem forced, which is the problem faced by many other indie films. The majority of the film does not have any dialogues at all, and it is just the visual cues put in by director Arun Karthick that helps take the story forward. It’s good that his act does not feel out of place even at one point, which ultimately works in the favour of the film. The actor has his work cut out and adheres to it with the basic requirements intact.
Sivapuranam is a film that concentrates on the life of just one character, played by Rajesh Balachandran. The chronicles of his life in the days before and after the incident are registered with a high level of detail here. Indie filmmaker Arun Karthick’s debut feature Sivapuranam has now made its way to MUBI, and this is a film that has to be seen by indie film fans, for its world-building more than the story or idealogy it possesses.Īt an aerial view, Sivapuranam is a look into the lonely life of Shiva, a designer who develops an obsession to a photo he clicks unintentionally. This is the debut of the self-taught young South Indian director Arun Karthick, who makes films through his Cinema Obscura platform and is certainly an exciting new voice from the Tamil film scene. The impressive camerawork insists on close-ups and striking details that give a metaphysical layer to this minimalist cinematic tale. Without words, but with refined sound design and stirring music, the director builds up the tension and suggests the mood of the main character. Caught in a web of his own delusions, Shiva awaits a possible resolution. Within his daily routine, he focuses obsessively on this picture of her that keeps triggering his voyeuristic impulses. An esoteric take on young designer Shiva's obsession with the photo of a girl snapped during a mysterious encounter.
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